Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
WN 17, Polonaise in B♭ major
In [AI] (→JC) and [A] (→PE), bar 87 is the last bar of the Trio written out in notes. Respective markings – Dal Segno in JC, Trio dal Segno in PE – refer then to bar 52. In the main text we write the repeated bars 52-67 as bars 88-103. In EF, all the subsequent sections of the Polonaise are written out entirely.
Same as in the case of bars 38-51, the abbreviations applied in the sources contribute to the fact that the differences and problems appearing in the bars they include are a repetition of those previously discussed. When there are no new elements, we do not repeat the content of remarks, referring to the commentaries given for the first time.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Shorthand & other
