b. 5
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composition: WN 17, Polonaise in B♭ major
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Rhythmic values in the part of the R.H. in JC are not erroneous, yet a mistake of the copyist while writing such a rhythm which is in the remaining sources is more plausible. category imprint: Interpretations within context; Differences between sources issues: Errors of JC |
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b. 6
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composition: WN 17, Polonaise in B♭ major
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The indication dim., in accordance with the natural phrasing, may correspond to Chopin's intentions, despite the fact that most probably it was added in EF by Fontana. Cf. the remark in bar 9. category imprint: Differences between sources |
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b. 6
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composition: WN 17, Polonaise in B♭ major
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The rhythm in EF (equal quavers at the end of the bar) and – despite a mistake – in JC most probably corresponds to the notation of [AI]. In [A] (→PE), which is undoubtedly a later version, Chopin homogenised the rhythm of the 3rd beat of the bar in bars 1-3 and 5-7. category imprint: Differences between sources issues: Errors of JC |
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b. 7
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composition: WN 17, Polonaise in B♭ major
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The sources differ in the notation of the first chord in the R.H.:
category imprint: Differences between sources; Source & stylistic information |
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b. 8
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composition: WN 17, Polonaise in B♭ major
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The indication given in PE probably comes from [A]. category imprint: Differences between sources |