Page: 
Source: 
p. 2, b. 48-98
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
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No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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  b. 74-75

Tie and accent in EE & GC

Two accents in FE

Tie and accent in GE

Possible interpretation of source versions

For our main text we adopt the version appearing in both EE and GC (sustained c sharp2, one accent). Lack of a tie sustaining c sharp2 in FE could be easily considered an omission were it not for an additional accent at the beginning of bar 75, which in a sense confirms the need to repeat the note. Despite all that, we consider errors and misunderstandings to be the most probable source of the version of FE; that view finds confirmation when we make a comparison  with analogous bars 416-417, in which FE stays in compliance with the remaining sources. The version of GE results from a routine moving of the accent to the note head side.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in FE, Inaccuracies in GE, Placement of markings

notation: Rhythm