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Issues : Authentic corrections in GC
b. 320
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composition: Op. 39, Scherzo in C♯ minor
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category imprint: Differences between sources issues: Authentic corrections in GC |
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b. 470-472
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composition: Op. 39, Scherzo in C♯ minor
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In FE no naturals lowering d category imprint: Differences between sources issues: EE revisions , Omission of current key accidentals , Last key signature sign , Authentic corrections in GC |
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b. 479-481
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composition: Op. 39, Scherzo in C♯ minor
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Consistent slurs in EE and FE must be authentic, they correspond to articulation and pianistic mini-gestures. A visible correction of the slur in GC proves the copyist's allertness at this moment but it may have been made by Chopin himself. Therefore, we give precedence to GC as it resonates with the energy of the motif that echoes the ending of the just sounded chorale phrase. It is difficult to determine why this correction was not included in GE. Similarly to the previous bars, in GE the slur in RH was repeated in the LH part. category imprint: Differences between sources issues: Authentic corrections in GC |
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b. 505-509
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composition: Op. 39, Scherzo in C♯ minor
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Disregarding the first chord, in EE there is no category imprint: issues: Errors in EE , GE revisions , Omission of current key accidentals , Last key signature sign , Inaccuracies in GC , Authentic corrections in GC |
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b. 521-523
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composition: Op. 39, Scherzo in C♯ minor
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Both naturals in GC, lowering d category imprint: Source & stylistic information issues: Authentic corrections in GC |