Shorthand & other
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b. 33-47
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composition: Op. 39, Scherzo in C♯ minor
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In GC, bars 33-90 are numbered from 1 to 58. Those numbers are later used for abbreviated marking of bars 375-432, that are the repetition of bars 33-90. category imprint: Source & stylistic information |
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b. 41-42
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composition: Op. 39, Scherzo in C♯ minor
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In FE, the upper notes of the octaves (c category imprint: Source & stylistic information issues: Inaccuracies in FE |
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b. 48-90
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composition: Op. 39, Scherzo in C♯ minor
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In GC, bars 33-90 are marked with consecutive numbers from 1 to 58. Those numbers are later used for abbreviated marking of bars 375-432, that are the repetition of bars 33-90. category imprint: Source & stylistic information |
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b. 132-140
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composition: Op. 39, Scherzo in C♯ minor
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In both bars in EE the fifth a sharp-e1 is not separated fromthe entire chord. This may be either a simplified version of the manuscript or the result of its misunderstanding by the engraver. category imprint: Source & stylistic information issues: EE inaccuracies |
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b. 154-155
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composition: Op. 39, Scherzo in C♯ minor
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FE and GE have a double bar line between those bars. In the case of GE, this is definitely a revision (in GC, its base text, the bar line is single). This makes us suspect that the version of FE may also result from a routine editorial revision. Chopin used double bar lines infrequently and never treated them as necessarily connected with the change of key. category imprint: Source & stylistic information issues: GE revisions , FE revisions |
1 and a) are notated as a separate voice. This is probably the result of misunderstanding the niotation of the base text.