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b. 609-616
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composition: Op. 39, Scherzo in C♯ minor
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In the main text we present the GC slurring as the most precise one. Both EE and FE most probably copy the earlier stages of slurring these bars. The GE slur represents the literal reading of slightly imprecise notation of GC at the transition to a new line (bars 580-581) category imprint: Differences between sources |
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b. 617-620
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composition: Op. 39, Scherzo in C♯ minor
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Pedalling marked category imprint: Differences between sources |
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b. 617
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composition: Op. 39, Scherzo in C♯ minor
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In the main text we present a short accent based on GC (→GE). In EE the mark is placed below the note, which most probably does not correspond with the manuscript. In FE the accent is long and it is uncertain whether it applies to RH only. category imprint: Differences between sources issues: Long accents |
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b. 619
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composition: Op. 39, Scherzo in C♯ minor
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For the main text we adopt the FE long accent. Chopin many times emphasised a falling minor semitone motif, e.g. in Polonaise E category imprint: Differences between sources issues: Long accents |
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b. 620
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composition: Op. 39, Scherzo in C♯ minor
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The GC slur extends over to the rest on the second beat of the bar. This was characteristic of a freestyle writing of slurs by Gutmann (and also quite often by Chopin). category imprint: Source & stylistic information issues: Inaccuracies in GC |
in b. 617 and 
in b. 620 as seen in 
, Op. 22, b. 