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Verbal indications

b. 348

composition: Op. 39, Scherzo in C♯ minor

No marking in EE

 in GC (→GE) & FE

..

Lack of  in EE is either an omission or echoes one of the earlier stages of the Scherzo notation.

category imprint: Differences between sources

issues: Errors in EE

b. 352-366

composition: Op. 39, Scherzo in C♯ minor

..

In EEcresc. marking written out by a whole word and split into syllables. This is an example of a characteristic manner of this edition.

category imprint: Source & stylistic information

issues: EE revisions

b. 359-366

composition: Op. 39, Scherzo in C♯ minor

accel. in EE and FE

accel. - - - in GC

acceler. in GE

..

In the main text we present - thanks to the range of a dashed line - a more accurate application of the marking from GC. In GE the dashed line was omitted and the abbreviated marking accel. was written out as acceler.

category imprint: Differences between sources

issues: GE revisions

b. 367

composition: Op. 39, Scherzo in C♯ minor

No indication in EE & FE

tempo primo in GC

tempo Io in GE

Our suggestion

..

tempo primo marking visible in GC was not put down by Chopin, however there is no doubt about its authenticity. In GE  it was replaced with a conventional marking used in such situations and in the main text we adopt a similar solution.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 375

composition: Op. 39, Scherzo in C♯ minor

ten. in EE & GC (→GE)

No indication in FE

..

Lack of the ten. marking in FE may result from misinterpretation of the beginning of an abbreviated notation in [A2] (it is most probable that Chopin used the same abbreviation as in [A1]). In a corresponding b. 33 the marking is found FE.

category imprint: Differences between sources

issues: Errors in FE