Issues : Errors in FE
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b. 76-89
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composition: Op. 39, Scherzo in C♯ minor
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The sources differ here both with respect to the type of accents above the minims of the highest voice (short in EE and GC or long in FE) and to their occurrence in particular bars:
In the editors' opinion, the accent that FE has in bar 80 may have been placed there by mistake, and was meant to be placed in bar 81. Allowing for that possibility leads us to put forward the following proposal as an alternative to the main text: 11 accents in bars 76-79, 81, 83-87 and 89. category imprint: Interpretations within context; Differences between sources issues: Long accents , Errors in FE , Errors in EE , Errors in GE |
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b. 87
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composition: Op. 39, Scherzo in C♯ minor
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Missing in FE is the sharp raising a1 to a sharp1. This is probably an accidental omission. The same applies to bar 429. category imprint: Differences between sources issues: Errors in FE |
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b. 103
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composition: Op. 39, Scherzo in C♯ minor
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As the upper note of the L.H. FE erroneously has a1. category imprint: Differences between sources issues: Errors in FE |
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b. 105
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composition: Op. 39, Scherzo in C♯ minor
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In FE and EE category imprint: Differences between sources issues: Errors in FE , Errors in EE , Terzverschreibung error |
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b. 113
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composition: Op. 39, Scherzo in C♯ minor
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In FE this bar has 7 quavers as, despite the presence of a quaver rest, all the three octaves are written in crotchets. We think that this error should be corrected by adding quaver flags to the octaves at the beginning of the bar; this leads to the version compliant with EE and GC (→GE1). It is also the version that FE has in analogous bars 31 and 373. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions |
1 in 
is placed before d sharp1. This obvious error may have been caused by the imprecise notation of the autograph.
