Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 39, Scherzo in C♯ minor
Change of key signatures in FE was not well thought over: in bars 333-5 there are a few redundant signs in a situation where the kew signatures include 5 flats: all 3 flats and neutrals on f.
In GC key signatures for RH notated after the chord in b. 327, however, this must have been momentary inattention of the copyist, since 1) in EE there is a change in this place as well, 2) the subsequent notation includes this change, so it must have already been in the basis for GC in this place.
category imprint: Differences between sources
notation: Shorthand & other
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