b. 566
|
composition: Op. 39, Scherzo in C♯ minor
..
We add cautionary naturals before the a2-a3 octave. The accidentals were already added in GE. category imprint: Differences between sources issues: GE revisions |
|||||||||||||
b. 566-567
|
composition: Op. 39, Scherzo in C♯ minor
..
The slur endings of both EE and GC are musically justified. The slur of FE seems less convincing, it may have not been read correctly. The slur in GE, even though based on GC, is imprecise. In the main text we present the most precise markings of GC - the wedge emphasised slur ending. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE |
|||||||||||||
b. 566-567
|
composition: Op. 39, Scherzo in C♯ minor
..
In FE dashes marking the scope of cresc. in b. 540 were omitted. category imprint: Differences between sources |
|||||||||||||
b. 567
|
composition: Op. 39, Scherzo in C♯ minor
..
A comma-like mark in GC, which here should be read as a wedge, was not - maybe by chance - included in GE. Neither EE nor FE have any mark in this place. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Wedges |
|||||||||||||
b. 567
|
composition: Op. 39, Scherzo in C♯ minor
..
The mark was inaccurately placed in GE - a crotchet too early. category imprint: Differences between sources issues: Inaccuracies in GE |