



b. 259
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composition: Op. 39, Scherzo in C♯ minor
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The seventh E category imprint: Differences between sources issues: Errors in FE , FE revisions |
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b. 259-265
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composition: Op. 39, Scherzo in C♯ minor
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The absence of pedal marks in GC (→GE) is most probably the copyist's error (see also note to bar 266). The pedalling of EE is probably authentic (cf. a similar solution in bars 268-271, confirmed both by EE and by GC). In FE, the placement of the category imprint: Differences between sources issues: Inaccuracies in FE , Errors of GC |
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b. 266
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composition: Op. 39, Scherzo in C♯ minor
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The absence of the arpeggio wavy line in EE is probably an error, yet we cannot rule out the possibility that this was the initial version of the notation here. category imprint: Differences between sources issues: Errors in EE |
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b. 266
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composition: Op. 39, Scherzo in C♯ minor
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GC (→GE) has no pedal marks in this bar. This is almost certainly the mistake of the copyist (see also notes to bars 260-265 and 265-266). category imprint: Differences between sources issues: Errors of GC |
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b. 267-270
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composition: Op. 39, Scherzo in C♯ minor
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The pedalling of EE and GC (→GE) is definitely authentic. The pedalling of FE does not raise much doubt either, apart from the placement of the category imprint: Differences between sources issues: Inaccuracies in FE |