mUltimate Chopin

Op. 24 No. 4, Mazurka in B♭ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 61-87
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Differences between sources
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Main
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  b. 83

 in A (→GE1→FE→EE)

 in GE2 (→GE3)

In this bar – exceptionally – A (→GE1→FE→EE) has  under the 3rd crotchet of the bar. It is not clear whether we are dealing here with inaccurate notation, or whether Chopin indeed wanted the pedalling for that bar to differ slightly from the previous bars; therefore we retain the notation of A in our main text. The asterisk  consistent with the prevailing pedalling pattern of  A was introduced in GE2 (→GE3).

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Pedalling