Page: 
Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 10-11

A (interpretation in context) and GE2 (→GE3)

A (interpretation in context) and GE2 (→GE3)

 is written in A in the manner allowing for various interpretations. However, it seems that had Chopin wanted it to be binding from bar 11 onwards, he would not have put it in so early. The notation of A suggests that relates to the syncopated octave f2-f3. This interpretation is confirmed by analogous phrases, particularly the clear notation of bars 42 and 112.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues:

notation: Verbal indications