Slurs
b. 108-110
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The slurring in A is unclear due to discordant notation of bar 108, the last one on the page, and bar 109 that begins a new page. GE (→FE→EE) have a single continuous slur in those two bars. In FE, the slur in bar 109, the last bar of the line, ends erroneously on the last quaver (its continuation in bar 110 is written correctly). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A |
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b. 110
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In FE, the slur ends - unlike in all the other sources - on the semiquaver, which is an evident mistake. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 117-118
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In the main text we give the most probable reading of the slur in A. In GE (→FE→EE) the slur was stretched to embrace full beats. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 118
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE2 (→GE3) the slur embracing the two quavers was removed. That revision could seem in place when the slur from bar 117 reached the second one of the two quavers. However, in our main text we retain Chopin's slurring from A. category imprint: Differences between sources issues: GE revisions |
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b. 125-126
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The slur in A begins on a semiquaver, along with the melodic narrative. In GE1 (→FE→EE) it begins over the dotted crotchet, and in GE2 (→GE3) it starts at the beginning of the bar. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |