Issues : GE revisions

b. 50

composition: Op. 24 No. 4, Mazurka in B♭ minor

No arpeggio mark in A (→GE1FEEE)

An arpeggio in GE2 (→GE3)

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In GE2 (→GE3) an arpeggion mark was added, probably by analogy with bar 112.

category imprint: Differences between sources

issues: GE revisions

b. 51

composition: Op. 24 No. 4, Mazurka in B♭ minor

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We add cautionary flats before the octave a flat2-a flat3. A similar revision was made in EE and GE2 (→GE3).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 51

composition: Op. 24 No. 4, Mazurka in B♭ minor

No markings in A (→GE1FEEE)

An accent and  in GE2 (→GE3)

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In GE2 (→GE3), an accent was arbitrarily added under the 2nd crotchet of the left hand and   under the last chord.

category imprint: Differences between sources

issues: GE revisions

b. 52

composition: Op. 24 No. 4, Mazurka in B♭ minor

Pedalling in A

Without pedalling in GE1 (→FEEE)

Pedalling in GE2 (→GE3)

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In GE1 (→FEEE) there is no pedalling, which is obviously a mistake. The pedal marks were supplemented in GE2 (→GE3), with  moved to the end of the bar. 

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 52

composition: Op. 24 No. 4, Mazurka in B♭ minor

Accents in A

An accent in GE (→FEEE)

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In GE (→FEEE) the accent over f2 was omitted. Still, the notation does not seem incomplete, as the accent above f1 in the L.H. part is placed in such a way that it refers to both hands. 

category imprint: Differences between sources

issues: GE revisions