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Issues : EE revisions
b. 98-99
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The shape of the tie drawn from the last demisemiquaver d flat2 does not clearly indicate where that tie was supposed to end. As the only note of the R.H. struck at the beginning of bar 9 is the dotted crotchet d flat2, one has no other option but to assume that the tie was meant to finish there. Such an interpretation is confirmed by a more legible notation of analogous bars 36-37. Printed in GE (→FE) is only the initial part of the tie from bar 98, which is the last bar of the page in those editions. We assume that it has the same meaning as the one we have determined for the tie of A. In EE, the discontinued tie fragment from bar 98 was omitted. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccurate slurs in A |
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b. 103
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A (→GE1→FE) there is no category imprint: Differences between sources issues: EE revisions , GE revisions , Errors of A |
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b. 104
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The long accent written by Chopin in A was reversed in GE1 (→FE) so that it resembles small crescendo hairpins. In EE that reversed mark, difficult to understand in the context, was omitted altogether. GE2 introduced a short accent, yet assigned it to the sixth in the L.H. That latter inaccuracy was corrected in GE3 category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions , Sign reversal |
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b. 105
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The accent on the 2nd crotchet of the L.H. visible in A was misinterpreted in GE1 (→FE) as short hairpins category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE |
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b. 105
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A (→GE1→FE), the asterisk category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Errors of A |