Issues : Inaccuracies in GE
b. 23
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A it is not quite clear which of the staccato signs Chopin had in mind: a dot or a wedge. In our view, a dot is much more likely. The sign was omitted from GE1 (→FE→EE), and put back in GE2 (→GE3). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 24
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE (→FE→EE) the was placed under the 3rd crotchet, unlike in A where it was placed before the note. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 24
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The long accent of A was reproduced in GE as a short one and moved under the stave. In FE (→EE) the mark was accidentally omitted. category imprint: Differences between sources issues: Long accents , Errors in FE , Inaccuracies in GE |
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b. 29-31
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The staccato signs in A are definitely more like wedges than dots. Still, GE (→FE) has dots in all those places. Absence of any signs in EE is an obvious error. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Errors in EE , Wedges |
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b. 29-44
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In bars 29-31 and 44 of A, the marks are clearly placed after the 3rd crotchet, at the end of the bar. In GE (→FE→EE) they were placed under the 3rd crotchet. category imprint: Differences between sources issues: Inaccuracies in GE |