



Rhythm
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b. 25-27
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In bars 25-28 A initially had the rhythm category imprint: Differences between sources issues: Errors resulting from corrections , Rhythmic errors , Errors of A |
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b. 28
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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Determining Chopin's intention related to the rhythm on the 3rd beat of the bar seems impossible here. A erroneously has a quaver and two demisemiquavers ( category imprint: Interpretations within context; Differences between sources issues: Errors resulting from corrections , GE revisions , Rhythmic errors , Authentic corrections of FE |
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b. 29
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The way in which both c1 notes were written in A was the reason why in GE (→FE→EE) they were interpreted as having additional downward crotchet stems. Moreover, at the beginning of the bar each of the notes of the seventh c1-b flat2 was written as belonging to a different voice. category imprint: Graphic ambiguousness; Differences between sources issues: Uncertain notes on ledger lines |
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b. 31
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A, the quaver c1 in this bar does not differ much from those from bars 23 and 29, yet the editions do not have an extra crotchet stem added here (except GE3). category imprint: Differences between sources; Source & stylistic information issues: GE revisions , Uncertain notes on ledger lines |
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b. 32
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composition: Op. 24 No. 4, Mazurka in B♭ minor
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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