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Op. 24 No. 4, Mazurka in B♭ minor

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Pedalling

b. 21-27

composition: Op. 24 No. 4, Mazurka in B♭ minor

 in A and GE2 (→GE3)

 in GE1 (→FE→EE)
..

The   marks in bars 22-23 and 27, entered in A after the 3rd crotchet (at the end of the bar) are placed under the 3rd crotchet in GE1 (→FE→EE). In GE2 (→GE3) they were shifted in order to better reflect the notation of A.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 21

composition: Op. 24 No. 4, Mazurka in B♭ minor

Pedalling in A, GE2 (→GE3) and EE3

Pedalling in GE1

No pedalling in FE (→EE1→EE2)
..

In the main text we give the pedalling of A and #Wn2 (→GE3). In GE1, the pedal up marking  was placed under the 3rd crotchet of the bar, against the notation of A but in line with the tendency to adjust all the elements of the notation to rhythmic structures. In FE (→EE1→EE2) the pedalling was omitted. The missing pedal markings were supplemented in EE3 in the version consistent with A. Cf. bars. 22-27.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Inaccuracies in GE

b. 24

composition: Op. 24 No. 4, Mazurka in B♭ minor

 in A

 in GE (→FE→EE)
..

In GE (→FE→EE) the  was placed under the 3rd crotchet, unlike in A where it was placed before the note. 

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 29-44

composition: Op. 24 No. 4, Mazurka in B♭ minor

 in A

 in GE (→FE→EE)
..

In bars 29-31 and 44 of A, the  marks are clearly placed after the 3rd crotchet, at the end of the bar. In GE (→FE→EE) they were placed under the 3rd crotchet. 

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 32

composition: Op. 24 No. 4, Mazurka in B♭ minor

 in A
..

In GE (→FE→EE) the pedal release asterisk was aligned with the last note of the left hand, against the notation of A.

category imprint: Differences between sources

issues: Inaccuracies in GE