Issues : GE revisions

b. 97-99

composition: Op. 24 No. 4, Mazurka in B♭ minor

accel. in A

accellerando in GE1 (→FE, GE2)

accelerando in EE

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In EE the agogic indications in those bars were placed between the staves. Chopin's abbreviation accel. was replaced with the full word in GE (→FEEE). In GE1, GE2 and FE that full-word term was misspelt (double 'l').

category imprint: Differences between sources

issues: EE revisions , GE revisions

b. 100-102

composition: Op. 24 No. 4, Mazurka in B♭ minor

No dots in A (→GE1FEEE)

Dots in GE2 (→GE3)

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We consider the absence of staccato dots under the bass notes A (→GE1FEEE) to be Chopin's oversight. These dots were already added in GE2 (→GE3).

category imprint: Interpretations within context; Differences between sources

issues: GE revisions

b. 101

composition: Op. 24 No. 4, Mazurka in B♭ minor

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We add a cautionary   before a flat1. The same thing was done in GE2 (→GE3)

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 101-111

composition: Op. 24 No. 4, Mazurka in B♭ minor

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Cautionary flats were added before the last quaver of the lower voice in bars 101 and 109 (g flat1) and bar 111 (b flat1) in GE2 (→GE3).

category imprint: Differences between sources

issues: GE revisions

b. 102

composition: Op. 24 No. 4, Mazurka in B♭ minor

No accent mark in A (→GE1FEEE

An accent in GE2 (→GE3)

The editors' proposition

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The absence of an accent in A (→GE1FEEE)  seems to be the result of Chopin's oversight; this finds confirmation in the fact that accents are present in the corresponding bars of the other repetitions of that phrase, as well as in analogous bars 100 and 104. A short accent was added in GE2 (→GE3).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions