Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 24 No. 4, Mazurka in B♭ minor
One may wonder whether the two slurs of A do not actually form one slur, as the second seems to continue the line of the first one. A single slur in the analogous bar 44 is another argument in favour of that hypothesis, However, there are also arguments against it:
- in the first slur one can see the halting of the moving hand that initially intended to embrace the entire bar with the slur;
- the accent on the 1st note of the triplet indicates that it is more prominently articulated in the course of the melodic line in that bar.
Compare the passage in the sources »
category imprint: Source & stylistic information
issues: Inaccurate slurs in A
notation: Slurs
