Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 24 No. 4, Mazurka in B♭ minor
One may wonder whether the two slurs of A do not actually form one slur, as the second seems to continue the line of the first one. A single slur in the analogous bar 44 is another argument in favour of that hypothesis, However, there are also arguments against it:
- in the first slur one can see the halting of the moving hand that initially intended to embrace the entire bar with the slur;
- the accent on the 1st note of the triplet indicates that it is more prominently articulated in the course of the melodic line in that bar.
category imprint: Source & stylistic information
issues: Inaccurate slurs in A
notation: Slurs
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