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b. 16
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The long accent of A was quite faithfully reproduced in GE1 (→FE). Still, in EE and GE2 (→GE3) the sign was shortened to an ordinary short accent. category imprint: Differences between sources issues: Long accents , GE revisions , EE inaccuracies |
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b. 16
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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We furnish the bass note d category imprint: Editorial revisions |
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b. 16-18
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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There are question marks under the 3rd crotchet in bars 16 and 18 in A. Written in crayon, they probably mean the engraver's doubts as to the correct reading of the manuscript. In bar 16 this could be the question of the presence of the note e category imprint: Source & stylistic information |
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b. 17
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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We add a cautionary category imprint: Editorial revisions |
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b. 17
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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Before the quaver d flat2 in A (→GE→FE→EE) there is a category imprint: Editorial revisions |
with a staccato dot, as the accidental omission of that sign seems more probable. Dots appear in 
at that height and by possible merging of the note with the ending of the 
.
before b flat1.