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Source: 
p. 4, b. 89-120
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
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Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 102-104

A (wedge)

GE (dot)

FE (→EE), contextual interpretation

In bars 102-103, the sources have two different versions of the R.H. part. In A (→GE) the text almost entirely follows the version found in analogous bars 18-19 and 50-51, the only difference being the presence of the staccato sign on the 2nd beat of bar 103 – a wedge in A, a dot in GE. When correcting FE (→EE), Chopin varied the last repetition of that phrase filling both bars with uniform quaver movement. Cf. bar 98.

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category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: Authentic corrections of FE, Main-line changes

notation: Pitch