Page: 
Source: 
p. 3, b. 57-88
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 70-88

Small notes in the R.H. in A

Regular font in GE (→FEEE)

Chopin emphasized the accompaniment nature of the R.H. part in A by writing it out in small notes. However, the difference in note size went unnoticed in GE (→FEEE), which may have later prompted Chopin to draw engravers' attention to that kind of detail by means of a special note in the autograph (cf. Etude in A flat major Op. 25 no. 1 and Prelude in F sharp minor Op. 28 no. 8).

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in GE

notation: Shorthand & other