Page: 
Source: 
p. 3, b. 57-88
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 58-59

The slur in A (a more probable reading) and FE (→EE1EE2)

A less probable reading of A, GE and EE3

The point where the slur over bar 59 exactly begins is not clear in A; most probably the slur extends from the quavers at the beginning of that bar, just like in more clearly notated analogous bars  63 and 67. This is how it was initially interpreted in GE1 (→FEEE1EE2), in which it was then prolonged (the traces of the deleted initial slur start are visible in GE1). Ultimately, GE has a slur beginning on f2 in bar 58, which is most probably due to Chopin's intervention (see the note to bars 62-63). That last-mentioned version was also introduced in EE3.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: Inaccurate slurs in A, Authentic corrections of GE

notation: Slurs