Page: 
Source: 
p. 2, b. 29-56
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 54

 and an accent in A

 in GE (→FEEE)

In  A the accent mark and  are written one on top of the other, so it is not clear whether both should be taken into consideration or whether one was meant to replace the other. In GE (→FEEE) that notation was understood as replacement of the accent with . However, as there are no visible attempts to remove any of the marks, perhaps Chopin could mean superimposing one on the other, the effect known from numerous combinations such as . Therefore we give both marks in our main text. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in GE, Inaccuracies in FE, EE inaccuracies

notation: Pitch