Issues : GE revisions

b. 44

composition: Op. 24 No. 2, Mazurka in C major

A wedge in A

No sign in GE1 (→FEEE)

A dot in GE2 (→GE3)

..

The wedge above the crotchet b1, present in A, was omitted from GE1 (→FEEE). The staccato sign was restored in GE2 (→GE3) in the form of a dot. 

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 45

composition: Op. 24 No. 2, Mazurka in C major

in A

GE (→FEEE), più in GE 

..

In all the first editions the indication forte was replaced with the symbol . Also, the accent in più is missing in A and FE (→EE). Similar inaccuracies and changes appear in the analogous bar 13.

category imprint: Differences between sources

issues: GE revisions

b. 54

composition: Op. 24 No. 2, Mazurka in C major

No staccato sign in  A (→GE1FEEE)

A dot in GE2 (→GE3)

..

staccato dot was added in GE2 (→GE3) over the 2nd chord, probably by analogy to bar 51 and also bars 50 and 52. That dot does not appear in A (→GE1FEEE), and in our opinion the occurrence of dots, accents and slurs in this fragment is not regular enough to justify potential additions.

category imprint: Differences between sources

issues: GE revisions

b. 56

composition: Op. 24 No. 2, Mazurka in C major

A single bar line in A

A double bar line in GE (→FEEE)

..

A has a single bar line here. Chopin sometimes used double bar lines but did not add them automatically to indicate changes of key, where their significance is mostly conventional. Such a routine addition was made in GE (→FEEE). A similar situation appears in bar 88.

category imprint: Differences between sources

issues: GE revisions

b. 57-69

composition: Op. 24 No. 2, Mazurka in C major

Without slurs in A (→GE1FEEE)

Small slurs in GE2 (→GE3)

..

In bars 57, 61, 65 and 69 the double grace note in GE2 (→GE3) was furnished with a slur linking it to the crotchet.

category imprint: Differences between sources

issues: GE revisions