Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 24 No. 2, Mazurka in C major
In bars 48 and 52 in EE, the R.H. part is split into two voices, just like in the previous bars: . We retain the notation of A (→GE→FE), apparently inconsistent but reflecting the pragmatism of Chopin's pianistic thinking. An identical change of the graphical layout was also introduced in analogous bars 16, 20 and 100 of EE.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions
notation: Rhythm