GE3
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
compare
  b. 73-88

10 long accents in A

 and 3 short accents in GE1

 and 2 short accents in FE

 and 6 short accents in EE

6 long accents and 4  in GE2 (→GE3)

Each of the ten minims in that fragment has a long accent in A, and although the signs differ in length, reproducing them with the use of various markings (, long and short accents) seems not fully justified graphically and unconvincing from the musical point of view.  In GE1 the signs were interpreted in two ways, either as ordinary short accents (bars 77, 81 and 82) or as  from the minim to the crotchet. That notation was repeated in FE with just one change in bar 77. In EE,  marks were used in bars 73-78 and accents in bars 81-88. The notation of A was most faithfully reproduced in GE2 (→GE3): long accents in bars  73-82 and  in bars 85-88. That version may be considered an alternative reading of A.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Long accents

notation: Articulation, Accents, Hairpins

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Original in: Muzeum Fryderyka Chopina, Warszawa