Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 24 No. 2, Mazurka in C major
In bars 16 and 20 in EE, the R.H. part was divided into two voices, just like the previous bars: 
. However, that formally justified change necessitated the introduction of another change: as in that new graphic layout the accent on the 3rd crotchet placed under the stave seemed to refer only to e1, another accent was added above c2. We stick to the notation of A (→GE→FE). EE had the identical change of graphic layout also introduced in analogous bars 48, 52 and 100.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions
notation: Articulation, Accents, Hairpins
