mUltimate Chopin

WN 55, Waltz in F minor

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Page: 
Source: 
p. 1, b. 1-22
p. 1, b. 1-22
p. 2, b. 23-52
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Main text
AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
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AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
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  b. 8

 

 

In AK, the first quaver in the R.H. is written separately. Such a way of notation was certainly aimed at highlighting the ending of the music phrase and the beginning of a new one - leading to the main theme of the waltz in a new key - parallel - in bar 9.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues:

notation: Rhythm

Missing markers on sources: FC
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