Articulation, Accents, Hairpins
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b. 1
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composition: WN 55, Waltz in F minor
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In AE, there is a long accent on the c2 crotchet in the upbeat. It shall be considered jointly with the beginning variant of the Waltz in this autograph - the doubly repeated c2. category imprint: Differences between sources |
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b. 1
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composition: WN 55, Waltz in F minor
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The diminuendo hairpin in bar 1 (of the same range) appears only in FEF and GEF, and it must have been added by Fontana. category imprint: Differences between sources |
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b. 2
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composition: WN 55, Waltz in F minor
category imprint: Differences between sources |
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b. 3
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composition: WN 55, Waltz in F minor
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The crescendo hairpin in bar 3 is only in FEF and GEF. In all repetitions written out in those two editions, for the 1st and 2nd time, the hairpin in FEF does not reach the last note in the R.H. (like in the miniature), whereas for the 3rd time, its range is identical as in GEF. In turn, FEF features the same range of the hairpin, including the last quaver in the R.H., in all three analogous places. category imprint: Differences between sources |
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b. 4
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composition: WN 55, Waltz in F minor
category imprint: Differences between sources |
