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WN 55, Waltz in F minor

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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 36

composition: WN 55, Waltz in F minor

 
 
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The short accent is present only in FEF and GEF and must have been added by Fontana.

category imprint: Differences between sources

b. 37

composition: WN 55, Waltz in F minor

 
 
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It is only FEF and GEF that feature accents under f1 and g1 - it must be Fontana's revision.

category imprint: Differences between sources

b. 38

composition: WN 55, Waltz in F minor

 
 
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The crescendo hairpin is preset only in FEF and GEF and was most probably added by Fontana.

category imprint: Differences between sources

b. 41-44

composition: WN 55, Waltz in F minor

 
 
 
 
 
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Within bars 41-44, the hairpins are written directly only in CY (in AG, there are letters of the fragment's repetition). In CY, the hairpins are slightly moved to the right: the first goes beyond the bar line and ends before the 1st beat in the R.H. in bar 42, whereas the second ends before the 1st beat in bar 43. The last crescendo hairpin is dragged as far as to the last beat in bar 44 and overlaps the new musical phrase. For the editorial version we choose the same solution as in the edited AG in bars 25-28.
In FEF and GEF, there is a single crescendo hairpin in bar 41, of the same range as the first hairpin in the edited AG (→CY). 

category imprint: Differences between sources; Editorial revisions

issues: Scope of dynamic hairpins

b. 44

composition: WN 55, Waltz in F minor

 
 
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category imprint: Differences between sources