Ornaments
|
b. 4
|
composition: WN 55, Waltz in F minor
..
In all autographs and copies, there are three quaver grace notes. The grace notes written in semiquavers in F come from Fontana and they are not confirmed by the autographs. category imprint: Differences between sources |
|||||||
|
b. 5
|
composition: WN 55, Waltz in F minor
..
The short grace note, varying the melodic line, is present in three autographs (AO, AR, AK) and in F. In the remaining sources, the ornament is absent. category imprint: Differences between sources |
|||||||
|
b. 11
|
composition: WN 55, Waltz in F minor
..
In AO and AK, the composer diversified the melodic line by adding an ornament in the form of three grace notes. The remaining sources do not include this ornament in the written-out form. category imprint: Differences between sources |
|||||||
|
b. 16
|
composition: WN 55, Waltz in F minor
..
All autographs include a short d2 grace note. F does not have a grace note in this place - it results from a different ending of the melodic motif in bars 15 and 16. In CX and CY, the grace note is not slashed - it may be a copying inaccuracy. In AK, the natural next to the grace note was written clearly lower, in the 3rd space. category imprint: Differences between sources issues: Accidental below/above the note |
|||||||
|
b. 20
|
composition: WN 55, Waltz in F minor
..
The f1 grace note is present in this place only in AO. The remaining sources do not include this grace note here; however, in some of them, it is in the 1st bar, which also determines its performance after the 1st volta (like in AO): in AE and, most likely, in AR, the grace notes are added there in pencil; the grace note is also in CC. category imprint: Differences between sources |
