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WN 55, Waltz in F minor

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Rhythm

b. 40

composition: WN 55, Waltz in F minor

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In the F sources, the 1st beat in the L.H. is prolonged to a minim (in FC and FEF) and to a dotted minim (in PE and GEF).

category imprint: Differences between sources

b. 41

composition: WN 55, Waltz in F minor

 
 
 
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F has two equal quavers at the end of the bar, contrary to the autographs and CX and CY, which feature a dotted rhythm. Moreover, in PE, the last quavers are beamed separately.

category imprint: Differences between sources

b. 46

composition: WN 55, Waltz in F minor

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Particular sources sometimes differ in the duration of the B note on the 1st beat in the L.H. In the autographs and in CX, CY and CC, it is a crotchet, in FC and FEF - a minim, whereas in PE and GEF - a dotted minim. In the repetition in FEF, which was written out, there is a dotted minim for the second time (like in PE and FEF).  

category imprint: Differences between sources

b. 48

composition: WN 55, Waltz in F minor

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The sources differ in the rhythmic value of E on the 1st beat in the L.H. In the autographs and in CX, CY and CC, it is a crotchet, in FC - a minim, whereas in PE, FEF and GEF - a dotted minim.

category imprint: Differences between sources

b. 49

composition: WN 55, Waltz in F minor

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In AR, AG (→CY) and PE, there is a rest in the top voice in the L.H. In the remaining sources, there is no rest.

category imprint: Differences between sources