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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 25-28

composition: WN 55, Waltz in F minor

 
 
 
 
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In bars 25-28, there is a dynamic hairpin in AG. The arms of the last hairpin, ending in bar 28, are uneven: the bottom arm reaches the chord on the 2nd beat of the bar, whereas the top one reaches the 1st beat of the bar. A single crescendo hairpin in bar 25 (of the same range as in bar 25 in AG) is present also in FEF and GEF.

category imprint: Differences between sources; Editorial revisions

issues: Scope of dynamic hairpins

b. 29

composition: WN 55, Waltz in F minor

 
 
..

The accent is only in FEF and GEF and it must have been added by Fontana.

category imprint: Differences between sources

b. 30

composition: WN 55, Waltz in F minor

 
 
..

In FEF and GEF, there is a short accent, which was certainly added by Fontana.

category imprint: Differences between sources

b. 31-34

composition: WN 55, Waltz in F minor

 
 
 
..

The hairpin is written only in AG (→CY). The first crescendo hairpin encompasses the entire two bars. Due to the static version of the L.H. in bar 32, where, in the majority of the sources, there is a doubly repeated d-f third, our suggestion is a hairpin dragged only to the 1st beat in bar 32. 

category imprint: Differences between sources; Editorial revisions

issues: Scope of dynamic hairpins

b. 35

composition: WN 55, Waltz in F minor

 
 
..

The accent in FEF and GEF must have been added by Fontana.

category imprint: Differences between sources