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Rhythm

b. 25

composition: WN 55, Waltz in F minor

 
 
 
..

F includes two equal quavers at the end of the bar, which differs from the autographs, where there is a dotted rhythm. Moreover, in PE the last quavers are beamed separately.

category imprint: Differences between sources

b. 30

composition: WN 55, Waltz in F minor

..

The autographs and the majority of the copies have a B crotchet in this place. In FC, there is a minim, whereas in PE, FEF and GEF - a dotted minim.

category imprint: Differences between sources

b. 31

composition: WN 55, Waltz in F minor

..

FC and PE feature an A minim in this place, whereas FEF and FEF - a dotted minim. In the remaining sources there is a crotchet.

category imprint: Differences between sources

b. 32

composition: WN 55, Waltz in F minor

..

In the F sources, the 1st beat in the L.H. is prolonged: to the value of a minim in FC and to a dotted minim in PE, FEF and GEF. The remaining sources include a crotchet.

category imprint: Differences between sources

b. 39

composition: WN 55, Waltz in F minor

 
 
 
..

In AK and in the editions (PE, FEF and GEF), the e on the 1st beat in the L.H. was prolonged to a dotted minim. In FC, there is a minim.

category imprint: Differences between sources