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b. 25
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composition: WN 55, Waltz in F minor
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We consider the version of CC, in which the most bottom element of the chords is an a category imprint: Differences between sources |
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b. 25
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composition: WN 55, Waltz in F minor
category imprint: Differences between sources |
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b. 25-28
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composition: WN 55, Waltz in F minor
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In bars 25-28, there is a dynamic hairpin in AG. The arms of the last hairpin, ending in bar 28, are uneven: the bottom arm reaches the chord on the 2nd beat of the bar, whereas the top one reaches the 1st beat of the bar. A single crescendo hairpin in bar 25 (of the same range as in bar 25 in AG) is present also in FEF and GEF. category imprint: Differences between sources; Editorial revisions issues: Scope of dynamic hairpins |
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b. 25-30
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composition: WN 55, Waltz in F minor
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Within bars 25-30, the beginnings and endings of the phrase marks are written inaccurately and ambiguously. In all autographs, there are three phrase marks. We adopt the most possible interpretations: category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Editorial revisions |
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b. 26
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composition: WN 55, Waltz in F minor
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There is a dotted minim in the top voice in CC. We consider it to be a mistake of notation. category imprint: Differences between sources |
, to be erroneous; in the edited version, we change it to a b
