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b. 22
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composition: WN 55, Waltz in F minor
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An ambiguous notation of this place in AG:
In the copy of this autograph, CY, it was completed with a tie, which can be considered to be a notation equal to the mordent:
Therefore, in the edited version of AG, we adopt the variant with the written-out mordent. Such an interpretation has the advantage that the versions of this bar and three analogous ones (bars 30, 38 and 46) are not identical (this rule applies to all the remaining autographs). The mordent written out with semiquavers in F is most probably a revision of the editor/Fontana. In CC, there is no '3' above the triplet; in AR, the '3' was written under the triplet. category imprint: Differences between sources; Editorial revisions |
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b. 22-30
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composition: WN 55, Waltz in F minor
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In AG, under bars 22-30, there are letters from a to i, used then to mark the repetition of this fragment in bars 38-46. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 22-30
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composition: WN 55, Waltz in F minor
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In AG, under bars 22-30, there are letters from a to i, used then to mark the repetition of this fragment in bars 38-46. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 23
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composition: WN 55, Waltz in F minor
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In F, the 1st beat in the L.H. is prolonged - there is a dotted minim. category imprint: Differences between sources |
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b. 23-52
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composition: WN 55, Waltz in F minor category imprint: Differences between sources |
