b. 18
|
composition: WN 55, Waltz in F minor
..
 
category imprint: Differences between sources |
||||
b. 18
|
composition: WN 55, Waltz in F minor
..
The majority of the sources include two sixths: b-g1 and a-f1. In F, they were enhanced to full triads, by adding a third element. In AG, the situation is different: a leap in the descending direction to a follows the g-e1 sixth. category imprint: Differences between sources |
||||
b. 18
|
composition: WN 55, Waltz in F minor
..
In AR, AE and CC, there is a g1 instead of f1. category imprint: Differences between sources; Editorial revisions issues: Accidental below/above the note |
||||
b. 18
|
composition: WN 55, Waltz in F minor
..
In AR, AE and AG (→CY), Chopin did not write a natural raising d2 to d2, which is evident in this context. category imprint: Differences between sources |
||||
b. 18
|
composition: WN 55, Waltz in F minor
..
In CX, the order of the last two pitches in the R.H. was reversed by the copyist: the penultimate note is an a2 (without accidental), whereas the last note is an a2 (written with a natural). We consider this version to be erroneous. category imprint: Differences between sources; Editorial revisions |