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The sources differ in the rhythmic value of the initial e
in the L.H.: in AO, AR, AG (→CY) it is a quaver, in the remaining sources – a minim. On the 2nd beat of the bar, we encounter three variants:
- the g-b-g1 triad in AO, AR, AE, AG (→CY), CC
- the b-g1 in AK (under the condition that it is considered jointly with the minim on the 1st beat)
- the g-b-e1 triad in F - of questionable authenticity, perhaps the topmost note of the chord is a Terzverschreibung error.
In CX, the chord on the 2nd beat is ambiguous - it seems that the copyist originally wrote there a four-note chord, e-g-b-g1, and then removed the erroneous e note - in his way - leading the stem of the chord through the note head (a similar situation is to be found in bar 27). Additionally, he moved it under the 3rd beat in the R.H. We adopt the version of AE for the editorial version of CX.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Pitch