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b. 30

composition: WN 55, Waltz in F minor

..

The autographs and the majority of the copies have a B crotchet in this place. In FC, there is a minim, whereas in PE, FEF and GEF - a dotted minim.

category imprint: Differences between sources

b. 31

composition: WN 55, Waltz in F minor

..

FC and PE feature an A minim in this place, whereas FEF and FEF - a dotted minim. In the remaining sources there is a crotchet.

category imprint: Differences between sources

b. 31

composition: WN 55, Waltz in F minor

 
 
..

F added an a to the e-c1 sixths, making full triads of them.

category imprint: Differences between sources

b. 31-34

composition: WN 55, Waltz in F minor

 
 
 
..

The hairpin is written only in AG (→CY). The first crescendo hairpin encompasses the entire two bars. Due to the static version of the L.H. in bar 32, where, in the majority of the sources, there is a doubly repeated d-f third, our suggestion is a hairpin dragged only to the 1st beat in bar 32. 

category imprint: Differences between sources; Editorial revisions

issues: Scope of dynamic hairpins

b. 31-32

composition: WN 55, Waltz in F minor

..

In all autographs and copies of CX and CY there is an identical phrase mark. CC does not have a phrase mark in this place.

category imprint: Differences between sources