mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt IV

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Page: 
Source: 
p. 11, b. 229-248
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 230

No marks in A

Staccato dots in GE (→FE,EE,IE)

In GE (→FE,EE,IE) the dots over the three L.H. chords were added probably by analogy with bar 231. We do not include them in the main text, leaving the choice of articulation to the performer. However, taking into account the fact that the use of staccato can be considered the most likely option, we consider the version of the editions to be an acceptable variant.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1
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