Page: 
Source: 
p. 2, b. 25-49
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 33-34

Accents in A, literal reading

Long accents in A, contextual interpretation

 in GE (→FE,IE)

No marks in EE

As was the case with the R.H. accents, we also reproduce the two marks in the L.H. part as long accents. The difference in the length of the marks between the right and the left hands in GE (→FE,IE) is noteworthy – the L.H. marks are much longer; they could be considered long accents. We reproduce them as diminuendo hairpins to illustrate the way these marks were understood by engravers – the difference in length corresponds to the gaps between notes, which in the case of L.H. crotchets are twice as big as in the case of R.H. quavers. This means that they were seen as diminuendoes referring to pairs of adjacent notes. 
The absence of the marks in EE is probably due to an oversight.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1