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p. 7, b. 142-161
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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GE - German edition
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FE1 - First French edition
EE - English edition
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IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 150

g1(2) & g2 in sources

g1(2) & g2 suggested by the editors

The absence of the flats lowering g2(1) to g2(1) at the beginning of the 2nd half of the bar (or at least one of them, as Chopin would often settle for one accidental for a few notes of the same name placed in different octaves) is almost certainly Chopin's mistake. This is indicated by the comparison with bar 146, of which the discussed bar is a variational repetition, and in which g notes are certainly absent. At the same time, this is not a temporary coincidence, since the entire four-bar section (bars 150-153) is, harmonically speaking, a repetition of bars 146-149, kept in the key of E minor.

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category imprint: Editorial revisions

issues: Omission of current key accidentals, Errors of A

notation: Pitch

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1