Page: 
Source: 
p. 7, b. 142-161
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 146

Wedge & dot in A

2 dots in GE (→FE,IE) & EE2

No marks in EE1

Viewed in isolation, the staccato mark over the e crotchet visible in A could be considered a dot or a wedge. The unambiguous wedges next to the three following bass notes provide a clear argument for a wedge also in this place. In GE (→FE,IE) the mark was adjusted to the dot over the chord on the 4th crotchet of this bar.
The absence of the marks in EE1 is due to the engraver's mistake, corrected in EE2.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: EE revisions, Errors in EE, Wedges

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1