Page: 
Source: 
p. 8, b. 162-182
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 177

Long accent in A (→GE, literal reading)

Short accent in FE, EE & IE

The long accent of A was reproduced in GE as a mark whose range is in between the short and the long one, hence it is unclear whether it should be short or long. However, it is longer than typical short accents, e.g. in bar 153, hence we consider it a long accent. In the remaining editions it was interpreted as a short accent.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, Inaccuracies in GE

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1