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p. 16, b. 333-352
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
FE2 - Revised impression of FE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
FE2 - Revised impression of FE1
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EE1 - First English edition
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IE - Italian edition
IE1 - First Italian edition
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  b. 336

Minim c in A, literal reading

Dotted minim in GE (→FE,EE,IE)

Minim & rest suggested by the editors

The GE version (→FE,EE,IE) is a misguided attempt at complementing the R.H. bottom voice. Formally speaking, the notation of this bar is unfinished in A, since the 3rd crotchet in the bottom voice was left incomplete, which, however, is not uncommon in Chopin's notation – cf., e.g. bars 355-357 – and would sometimes lead to misunderstandings and mistakes (cf., e.g. the Variations in B, Op. 2, bars 16-32). In the discussed place, nothing indicates that Chopin would have wanted to prolong the c minim. In order to avoid any doubts, in the main text we add a rest here.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: GE revisions, Inaccuracies in A

notation: Rhythm

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1, FE2