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p. 16, b. 333-352
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 343

f1(2) in A, literal reading

f1(2) in GE (→FE,EE,IE)

f1(2), our suggestion

f1(2), our alternative suggestion

In A there is only a  to the middle note (a1) of the 1st R.H. chord, which makes us consider the outermost notes f1-f2. In GE (→FE,EE,IE) it was considered an oversight of the accidentals belonging to the current key (sharps to f1 and f2), and they were added. According to us, both versions are stylistically possible and could be authentic, hence we provide both, making it clear that the accidentals clarifying the pitch of these notes were added by us (in both cases).

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category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information

issues: Corrections in A, GE revisions

notation: Pitch

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1